The principles of improv acting apply to writing as well.
Inner Editor
Your Inner Editor has a sibling, who can be more dangerous to your writing than even the growling critiques of your Inner Editor itself. It tends to walk around the rooms of your mind gazing at all the imaginative ruckus with a persnickety, arrogant gaze. It exudes an air of judicious logic, speaking in the grave tones of seasoned caution. It likes to stroll in just when you get an idea that you’re about to pounce on like a puppy pounces on its chew toy, and it says, “But wait . . .”
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